Richard Bell's nature sketchbook since 1998
George Street, Wakefield: Wall-rue and Maidenhair Spleenwort on a brick wall which probably dates back to the days of the cattle market, and a mossy pool on the roots of an old flowering cherry. The ‘well kept secret’ herbs and spices are served at Kentucky Fried Chicken, Westgate Retail Park.
My favourite view from Wakefield’s Riding Centre multistorey?
Since the Hannah Starkey show at the Hepworth, the view that I always park facing is the one of the flats on Kirkgate.
In Starkey’s thoughtfully stage-managed take on this scene, she gives Wakefield an aura of Indie movie sophistication (which it has, especially on a morning like today’s). One of her characters leans on the parapet, like a split-hair-dyed Rapunzel, looking out over the cloud-capped towers of Wakefield.
The fast food at the Falafel Street Kitchen was a tad too fast for me and this was as far as I was able to get in sketching the customers.
Luckily the pace at the Nats’ AGM was a little more sedate. Even so, these days we get through the business side of the evening in a little over fifteen minutes.
The George Gissing Centre, in Thompson’s Yard off the top of Westgate, opened its doors for yesterday’s Wakefield Art Walk. This was Victorian novelist George Gissing’s childhood home. His father, Thomas Gissing was a pharmacist who wrote Ferns and Fern Allies of Wakefield.
There’s currently an exhibition of Wakefield authors at the centre in the form of a timeline, starting with ‘the Wakefield Master’, author of the town’s Medieval Mystery Plays and finishing up with Joanne Harris, Lisa Bradley and I, so I’m in good company.
The Gissing Trust on the Wakefield Historical Society website
At first I thought that one of these top-hatted figure on the left was reaching into his inner coat pocket to pay his fare for a Hanson cab ride into town.
It’s a small detail in a photograph of the top end of Westgate, Wakefield, taken, I guess in late Victorian times.
They’re standing by the cabmen’s shelter. My thanks to Graham Cass for posting the photograph on the Wakefield Historical Appreciation Facebook page.
Drawn in Clip Studio Paint on my iPad Pro using the Real G-Pen, the Lasso Fill Tool and a bit of virtual Charcoal.
Drawn this afternoon at Navigation Walk, Wakefield, colour added in Photoshop.
After my woodcut experiment in Adobe Illustrator, l’ve gone for more of a lithographic effect for these portraits, simplifying the tones in my original pen and wash drawings into ragged-edged blocks. You don’t get the texture of the original watercolour wash but it’s implied in those irregular edges.
This is Liz White in character as Fiona Grayson in Chris Lang’s ITV crime drama Unforgotten, drawn from a photograph in the Radio Times in March.
It can be disappointing if you’ve painted a subtle watercolour and the nuances are lost on the printed page. A reduced tonal range might make for a more successful printed image. I’ll have to try it.
George Stephenson was all set to have a walk-on part in my current Addingford show at the Redbox Gallery, Horbury, but he was upstaged by Stan Barstow’s Joby, so perhaps I can use him in a print publication, looking suitably robust in the Image Trace treatment that I’ve given him in Illustrator.
I’m considering printing the series I drew of Wakefield Women in History and the graphic feel would work well as I’m trying to keep the subject brisk and lively, rather than making it archival and authoritative, like an illustrated Dictionary of National Biography.
Another Wakefield Woman in History, Dame Mary Bolles, the formidable Stuart-era lady of Heath Old Hall, also lends herself to this treatment. It’s easy for me to go for too much detail in a historical costume but what I want in this series is to sum up remarkable lives in broad brushstrokes.
The daisies are hardly bothering to open up on such a cool dull morning but at least I don’t get a spot of rain until the end of my brief sketching session as Barbara and her brother John make their three-circuit – one mile – exercise walk around the park. A man, accompanied by his young son on a bike, has set himself the target of four miles: twelve times around Illingworth Park.
It rains properly in the afternoon, which our garden really needs after such a dry April. Hopefully we’ll now get a bit of warmth and things will burst into life.
Leave your lawn unmown for the month of May and let the flowers bloom on your lawn. Then, at the end of the month, find out how many bees your lawn can feed with our Every Flower Counts Survey.
Plantlife Every Flower Counts survey
Well that’s all the persuasion that I need, it’s got to be worth a try, although we might need a mown path across our back lawn to get to the veg beds and to hang out the washing.
I am of course a bit biased and I even think of garden weeds as wild flowers, however troublesome, so I’m not the one to judge when it comes to a dilemma between tidy management and wild & free.
“What do you think of the change from strimming to using herbicides?” I ask a couple from the allotments alongside the park.
The man with the barrow isn’t convinced: “They’ve gone along the fence, but we’ve got bindweed down there, you think that was what needed doing.”
“We used to grow a blackberry along the fence,” adds the woman, “so people could pick the berries on the other side, but they said that we’d be liable if anyone was ill, so they’ve taken it out.”
At first when I saw rings of dead grass around posts and litter bins, I blamed the local dogs, but it’s the result of the council making the change to spraying as an alternative to the expensive business of strimming around obstacles – which can be damaging to young trees.
I know how long it takes me to edge the lawn and to try and stop the chicory in our little meadow area taking over the paths and veg beds in the immediate vicinty, so I can imagine the scale of the problem of keeping things tidy over the whole Metropolitan District.
Plantlife is celebrating the way Wakefield and eight other councils are leading the way in better managing their road verges for wildlife, so I’m sure that the strimming versus herbicides dilemma has been carefully thought out, but however environmentally friendly the herbicide is that they’re using, there’s a lot of it being applied and inevitably there must be some impact on biodiversity.
Every Flower Counts, Plantlife
For a cover illustration for Wakefield Women in History, I’ve gone for three of the more dynamic characters which, of course, includes my dynamic mother-in-law Betty.
I’ve drawn twelve subjects, which should fit into the format and length of my booklet.
Mary Creagh was Wakefield’s first woman MP, elected in 2005, so she’s one of my local Women in History. She’s invariably more upbeat than in my drawing but this is from a still from a Channel 4 interview, live from the Palace of Westminster, in December 2019, a week after she lost her seat to Imran Nasir Ahmad Khan, our current MP, who was literally parachuted in – yes, really, landing on a school playing field – to stand for the Conservative Party.
In the interview she reflected that the then Labour Party leader, Jeremy Corbyn had been guilty of ‘preening narcissism’, so here she reminds me of a distraught character in a Samuel Beckett play or as Cordelia, banished by the folly of her father, in King Lear.
Mary Creagh has always taken a keen interest in environmental issues and during her time at Westminster she was chair of the Environmental Audit Select Committee. She’s now chief executive of the national walking charity Living Streets.
Living Streets the UK charity for everyday walking